Everything about Jacob De Voragine totally explained
Blessed
Jacobus de Varagine or
Voragine ((c.
1230 –
July 13 or
July 16,
1298) was an
Italian chronicler and
archbishop of Genoa. He was the author of the
Golden Legend, one of the most popular religious works of the
Middle Ages, a collection of the legendary lives of the greater
saints of the medieval church.
Biography
Jacobus was born in Varagine (today
Varazze), on the
Ligurian coast between
Savona and
Genova. He entered the
Dominican order in 1244, and besides preaching with success in many parts of Italy, taught in the schools of his own fraternity. He was
provincial of
Lombardy from 1267 till 1286, when he was removed at the meeting of the order in Paris. He also represented his own province at the councils of
Lucca (1288) and
Ferrara (1290). On the last occasion he was one of the four delegates charged with signifying
Nicholas IV's desire for the deposition of
Munio de Zamora, who had been master of the order from 1285, and was deprived of his office by a
papal bull dated
April 12,
1291.
In 1288 Nicholas empowered him to absolve the people of Genoa for their offence in aiding the Sicilians against
Charles II. Early in 1292 the same pope, himself a
Franciscan, summoned Jacobus to Rome, intending to consecrate him archbishop of Genoa with his own hands. He reached Rome on
Palm Sunday (
March 30), only to find his patron ill of a deadly sickness, from which he died on
Good Friday (
April 4). The cardinals, however,
propter honorem Communis Januae ("for the honor of the commune of Genoa"), determined to carry out this consecration on the Sunday after Easter. He was a good bishop, and especially distinguished himself by his efforts to appease the civil discords of Genoa among
Guelfs and
Ghibellines. A story, mentioned by the chronicler
Meister Eckhart as unworthy of credit, makes
Pope Boniface VIII, on the first day of
Lent, cast the ashes in the archbishop's eyes instead of on his head, with the words, "Remember that thou art a Ghibelline, and with thy fellow Ghibellines wilt return to naught."
He died in
1298 or
1299, and was buried in the Dominican church at Genoa. He was beatified by
Pius VII in 1816.
Works
Jacobus de Voragine left a list of his own works. Speaking of himself in his
Chronicon januense, he says, "While he was in his order, and after he'd been made archbishop, he wrote many works. For he compiled the legends of the saints (
Legendae sanctorum) in one volume, adding many things from the
Historia tripartita et scholastica, and from the chronicles of many writers."
The other writings he claims are two anonymous volumes of
Sermons concerning all the Saints whose yearly feasts the church celebrates. Of these volumes, he adds, one is very diffuse, but the other short and concise. Then follow
Sermones de omnibus evangeliis dominicalibus or every Sunday in the year;
Sermones de omnibus evangeliis, for example, a book of discourses on all the
Gospels, from
Ash Wednesday to the Tuesday after
Easter; and a treatise called
Marialis, qui totus est de B. Maria compositus, consisting of about 160 discourses on the attributes, titles, etc., of the
Virgin Mary. In the same work the archbishop claims to have written his
Chronicon januense in the second year of his episcopate (1293), but it extends to 1296 or 1297.
To this list
Jacques Échard adds several other works, such as a defence of the Dominicans, printed at
Venice in 1504, and a
Summa virtutum et vitiorum Guillelmi Peraldi, a Dominican who died in 1271. Jacobus is also said by
Sixtus of Siena (
Biblioth. Sacra, lib. ix) to have translated the
Old and
New Testaments into his own tongue. "But," adds Echard, "if he did so, the version lies so closely hid that there's no recollection of it," and it may be added that it's highly improbable that the man who compiled the
Golden Legend ever conceived the necessity of having the Scriptures in the vernacular.
His two chief works are the
Chronicon januense ("Chronicle of Genoa") and the
Golden Legend or
Historia Lombardica.
The former is partly printed in
Muratori (
Scriptores Rer. Hal. ix.6). It is divided into twelve parts. The first four deal with the mythical history of Genoa from the time of its founder,
Janus, called the first king of
Italy, and its enlarger, a second Janus "citizen of
Troy", till its conversion to
Christianity "about twenty-five years after the passion of
Christ." Part v professes to treat of the beginning, growth and perfection of the city; but of the first period the writer candidly confesses he knows nothing except by hearsay. The second period includes the Genoese crusading exploits in the East, and extends to their victory over the
Pisans (c. 1130), while the third reaches down to tha author's days as
archbishop. The sixth part deals with the
constitution of the city, the seventh and eighth with the
duties of
rulers and
citizens, the ninth with those of domestic life. The tenth gives the ecclesiastical history of Genoa from the time of its first known
bishop,
Saint Valentine, "whom we believe to have lived about 530
A.D.," till 1133, when the city was raised to archiepiscopal rank. The eleventh contains the lives of all the bishops in order, and includes the chief events during their episcopates; the twelfth deals in the same way with the archbishops, not forgetting the writer himself.
The
Golden Legend, one of the most popular religious works of the
Middle Ages, is a collection of the legendary lives of the greater
saints of the medieval
church. The preface divides the ecclesiastical year into four periods corresponding to the various
epochs of the
world's
history, a time of deviation, of renovation, of reconciliation and of pilgrimage. The book itself, however, falls into five sections: —(a) from
Advent to
Christmas (cc. 1—5); (b) from Christmas to
Septuagesima (6-30); (e) from Septuagesima to
Easter (31-53); (d) from Easter Day to the
octave of
Pentecost (54-76); (e) from the octave of Pentecost to Advent (77-180). The saints' lives are full of fanciful
legend, and in not a few cases contain accounts of
13th century miracles wrought at special places, particularly with reference to the Dominicans. The last chapter but one (181), "De Sancto Pelagio Papa," contains a kind of history of the world from the middle of the
6th century; while the last (182) is a somewhat allegorical disquisition, "De Dedicatione Ecclesiae."
The
Golden Legend was translated into
French by
Jean Belet de Vigny in the
14th century. It was also one of the earliest books to issue from the
press. A
Latin edition is assigned to about 1469; and a dated one was published at
Lyon in 1473. Many other Latin editions were printed before the end of the century. A French translation by Master
John Bataillier is dated 1476; Jean de Vigny's appeared at
Paris, 1488; an Italian one by
Nic. Manerbi (? Venice, H75); a
Czech one at
Pilsen, 1475-1479, and at
Prague, 1495;
Caxton's
English versions, 1483, 1487, and 1493; and a
German one in 1489. Several
15th century editions of the
Sermons are also known, and the
Mariale was printed at Venice in 1497 and at Paris in 1503. All in all, during the first five decades of printing in Europe, editions of the
Legenda Aurea appeared about two a year.
Almost as popular were Jacobus' collected sermons, also termed "Aurea."
Footnotes
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